“One of his [Harold’s] haunts was the notorious Hypocrites down beyond Christ Church, where the presiding spirits were Richard Hughes and Robert Graves… It was a boozing house where shove-halfpenny and dart playing were the fashion, where much beer was drunk…”
– Christopher Hollis in Oxford in the Twenties: Recollections of Five Friends
First founded in 1921 by John Davies Knatchbull Lloyd as an intellectual society, the Hypocrites Club (1921-1924) was swiftly transformed by Harold Acton and his friends into a hub of boisterous parties and unapologetic self-expression. The club became a drinking club, known for its party culture and “patently homosexual” behavior, according to Evelyn Waugh. Claud Cockburn, Waugh’s cousin, sums it up: “The Hypocrites Club was ‘a noisy alcohol-soaked rat-warren by the river.” The club’s motto, “Water is best,” taken from the first lines of an Olympian ode by ancient Greek poet Pindar, was meant to be ironic–members famously ignored this advice, embracing instead a culture of excess drinking that earned them their tongue-in-cheek name. However, the club was much more than just a drinking society–the Hypocrites Club also served as an important haven for queer expression at a time when homosexuality was criminalized in Britain. Its end, in fact, was due to a boisterous Victorian dress party, where members dressed as “vermillion-lipsticked choir boys, nuns, and powdered ladies”. For figures like Acton and certain members in his circle like Brian Howard, the club provided both refuge and a stage for unfettered individualism and escape. Though best remembered today for its raucous, fraternity-like energy, the Hypocrites Club also fostered lifelong friendships, artistic and literary connections, and showcases the rebellious spirit captivating the youth of the Roaring Twenties.
In this section of the exhibition, the Hypocrites club is a catalyst for exploring the lives of some of the people closest to Harold Acton, both as individuals and how their relationship with Acton began and evolved throughout their lives. With a specific focus on Robert Byron, Brian Howard, and Evelyn Waugh, this portion of the exhibition highlights the connections that influenced Harold Acton in his life and his writings, both in the Twenties and beyond.